For two days in the lead up to Mo Chara’s court appearance, I had the pleasure of working with The Tenth Man, along with Kneecap’s DJ Próvaí and Móglaí Bap, to document a series of powerful projections across London — messages of support and solidarity for Mo Chara. Projections were beamed in Trafalgar Square, County Hall on the South Bank and at the Electric Ballroom in Camden. 

To see a full gallery of these images please look here: https://www.jonbrowning.co.uk/proofing/edited-kneecap

As a massive fan of the film, it was fab to meet them! 

I’m pleased to share that my project on the aftermath of the Cumbre Vieja eruption in La Palma has been shortlisted for Earth Photo 2025 . It will be exhibited at the Royal Geographical Society (with IBG) in London, before touring a range of outdoor venues across the UK—including Forestry England and National Trust sites. Theres some really really nice work from the other photographers, so its great to be a part of it! The exhibition starts on June 18th. See more info about it here: https://lnkd.in/ehJ4DyS3

And to see my project in full please visit: https://www.jonbrowning.co.uk/stories/lapalma

Update: See my sunbathers on lava field on exhibition at the Royal Geographical Society in London from now until the 20th August and then around the UK for one year at various locations. https://www.earthphoto.world/2025-exhibition-tour

Last week I was on assignment in Runcorn for De Volkskrant, reporting ahead of today’s by-election (May 1st). The seat—long held by Labour—is now being challenged by Reform UK.

Over two days on the ground, I heard strong anti-immigrant sentiment from some voters—often linked more to what they’d seen on social media than to personal experience.

Here are a few scenes I captured while documenting the atmosphere in the run-up to the vote.

I was thrilled to be given the opportunity to make a portrait of a young Diabetes UK volunteer in Bournemouth for Diabetes Magazine. Editorial shoots on the coast are some of the most enjoyable. 

I’m excited to finally share the key art photography I shot of Greg Davies for the third series of The Cleaner. During the shoot, we experimented with creating blood splatter effects using TV-safe blood, but it either looked too gory for the BBC or didn’t splatter convincingly. Thankfully, the retoucher did a fantastic job perfecting it in post. 

I also had the pleasure of shooting the key art for the second series, which you can see here.